SEXtalk69 Font

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Caratteri simili

SEXtalk69 International Typeface CorporationVictor Caruso TrueTypeFreeware

SEXtalk69___Font_by_KeepWaiting.ttf

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Nota dell'autore

SEXtalk69, designed by Andrew J. Hart, is a free eroded display font with massive, uneven letters and a scraped, photocopied surface. Dense black strokes, ragged edges, and scattered gaps give the lettering the battered look of cut-and-pasted punk graphics, with cramped overlaps and sudden changes in stroke width.

Its distressed texture can merge with torn-paper collage, grainy photography, or screen-printed illustration, making it especially apt for music posters and album packaging. Merchandise also suits its abrasive, handmade attitude for bands and streetwear labels. The rough construction points most convincingly toward punk, underground club, and skate themes in event flyers and youth-oriented branding.

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Informazioni di base sul font

Dichiarazione di copyright

SEXtalk69 - 2007 - Andrew J. Hart

Font famiglia

SEXtalk69

Font sottofamiglia

Regular

Sottofamiglia unico di identificazione

SEXtalk69

Nome completo del font

SEXtalk69

Nome tabella versione

v.1

Postscript nome del font

SEXtalk69

Marchi di fabbrica

SEXtalk69 2007- Andrew J. Hart.

Fabbricante

International Typeface Corporation

Progettista

Victor Caruso

Descrizione

Designed in 1902 by Morris Fuller Benton for the American Type Founders company, Franklin Gothic still reigns as one of the most-widely used sans serif typefaces. Originally issued in only one weight, the ATF version of Franklin Gothic was eventually expanded to include five additional weights, but no light or intermediate weights were ever developed. In 1979, under license from ATF, ITC developed four new weights in roman and italic: book, medium, demi and heavy. Designed by Victor Caruso, ITCs new weights matched the original faces characteristics, but featured a slightly enlarged lowercase x-height. ITC Franklin Gothic also features a slightly condensed lowercase a-z alphabet. In 1991, ITC commissioned the Font Bureau in Boston to create condensed, compressed and extra compressed versions of ITC Franklin Gothic, which increased the flexibility and usefulness of the design.